Poetry and the voice live at the heart of Julia’s work, and poetic documents as scores, performative objects, and new media poetics are part of Julia’s ongoing exploration into the hybridization of voice, instruments, electronics, and video to create an organic
whole from one source of material (her voice). To this end, Julia developed two innovative courses for the School of the Art Institute: Song (Sound), and Sound Poetry (LibHum).
Eric Leonardson- Ulher/Genetti/Leonardson – horizontal shift
- Listening Pasts, Listening Futures WFAE Conference 23-26 March 2023
- #2021Wins, My New Freedom for 2022 Now 2023
- Coil Springs As Sound Sources
- Performing with Mehata at Elastic November 19
- October 22 Tritriangle Ten Year Anniversary Performances
- Then as Now: Woodland Pattern 1980-2022
- Singing Insects Soundwalk at Northerly Island Park
- First Soundwalk Symposium Kicks-off On April 1
- Tune Your Ears to Singing Insects
- Binary Heap
- A Philosophonics of Space: Sound, Futurity and the End of the World (PDF)
- Roland “A Foundation For Electronic Music” Series (1979)
- Interactive Musical Hexagons
- 10 Rules For Students and Teachers From John Cage
- Bring Da Noise: A Brief Survey of Sound Art – Kenneth Goldsmith
- Pierre Henry, Pioneer Musique Concrète
- Frequency Ranges of Musical Instruments
- IPEM – Institute for Psychoacoustics and Electronic Music
- Proportion in Musical Scales | Sacred Geometry
- MIMO – Musical Instrument Museums Online
